CHAINED FOR LIFE


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Event:
CHAINED FOR LIFE
Date:
Wednesday, November 13, 2019
Time:
7:00 PM
Venue:
Rose Wagner Performing Arts Center
Address:
Google Map
138 W 300 S, Salt Lake City, UT

Directed by Aaron Schimberg
91 min | 2019 | USA | Not Rated

Post-film Q&A with director Aaron Schimberg, moderated by KUER RadioWest host Doug Fabrizio.

Building on the promise of his hallucinogenic debut Go Down Death, filmmaker Aaron Schimberg delivers another brilliantly oddball, acerbically funny foray into gonzo surrealism. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star “slumming it” in an outré art-horror film being shot in a semi-abandoned hospital. Cast opposite her is Rosenthal (Under the Skin’s Adam Pearson), a gentle-natured young man with a severe facial deformity. As their relationship evolves both on and offscreen, Schimberg raises provocative questions about cinematic notions of beauty, representation, and exploitation. Tod Browning crossed with Robert Altman crossed with David Lynch only begins to describe something this startlingly original and deeply felt. – BAMcinemaFest

Director’s Statement:

Director Aaron Schimberg

As a filmmaker with a facial difference, I have never seen my experience accurately represented on screen. This film – the first, as far as I know, made by and starring disfigured people – is my humble attempt to remedy that. When disfigured characters are seen at all in films (usually played by handsome actors with disfiguring latex), they are trotted out to play monsters or objects of pity, made into vessels for the symbolic expression of cruelty, sin, villainy, and other ills. “Bitter defectives,” as a character in my film says. Even when they’re portrayed sympathetically, they function only to impart inspirational lessons to the able-bodied people who encounter them. Chained for Life is my response to the way people with disfigurements have been portrayed in films (for instance, in Freaks, The Elephant Man, Wonder) throughout cinema’s history. It asks whether the sum of these portrayals has adversely affected the way we are regarded in real life. I consider it a comedy, but if you think it’s a tragedy, I wouldn’t argue with you.

Official Selection: 2018 BAM cinemaFEST, 2019 BFI London Film Festival


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