About the Drive-In
- Tickets are free, but space is limited and tickets must be reserved in advance – only 1 ticket is required per vehicle
- Drive-in located in the parking lot behind the Belgian Waffle & Omelet Inn.
- Gates open at 6:30pm
- The film will start at 7:30pm
- The audio for the movie is broadcast through an FM transmitter (radio). If you don’t have an FM transmitter in your car you can bring a battery-operated stereo with speakers to hear the movie.
- Large vehicles will be parked in the back. Sorry, no passenger vans or diesel engine trucks permitted, and lift gates/hatches cannot be raised if the view of other guests is blocked.
- The movie is to be watched from inside your car or within your designated parking stall.
- Masks are required upon leaving your designated area. Social distancing and mask-wearing will be enforced in all public areas.
- Port-a-potties are available.
About the Film
An icon of psychedelic pop culture, Yellow Submarine is a colorful musical spectacle and an exhilaratingly joyful cinematic experience for all ages – filled with visual invention, optical illusions, wordplay, and glorious, glorious music.
Once upon a time….or maybe twice….there was an unearthly paradise called Pepperland, 80,000 leagues under the sea it lay, a place where beauty, happiness, and music reign supreme.
But this peaceful harmony is shattered when the Blue Meanies invade with their army of storm bloopers, apple bonkers, snapping turtle turks, and the menacing flying glove in an attempt to stop the music and drain Pepperland of all color and hope. So it’s The Beatles to the rescue, as our animated heroes team up with Young Fred and the Nowhere Man and journey across seven seas to free Sgt Pepper’s Lonely Hearts Club Band, make peace with the Meanies, and restore music, color, and love to the world.
But beyond all the glorious music, Yellow Submarine is a landmark in animation, with Heinz Edelmann’s inspired art direction conjuring up a non-stop parade of wildly different styles and techniques. From the paper-doll residents of Pepperland, to the tinted photography of the soot-covered roofs and smokestacks Liverpool, the menagerie of fanciful characters in the Sea of Monsters, the kaleidoscopic colour-splashed rotoscoping of Lucy in the Sky with Diamonds, the vertigo-inducing op-art of the Sea of Holes, and the triumphant euphony of the It’s All Too Much finale, the film is simply a joy.